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  <title>ЭБ Коллекция:</title>
  <link rel="alternate" href="https://elib.bsu.by:443/handle/123456789/39566" />
  <subtitle />
  <id>https://elib.bsu.by:443/handle/123456789/39566</id>
  <updated>2026-04-21T13:11:45Z</updated>
  <dc:date>2026-04-21T13:11:45Z</dc:date>
  <entry>
    <title>«Стальной скок» С. С. Прокофьева в контексте музыкально-театрального конструктивизма</title>
    <link rel="alternate" href="https://elib.bsu.by:443/handle/123456789/50838" />
    <author>
      <name>Фогт, Е. В.</name>
    </author>
    <author>
      <name>Аладова, Р. Н.</name>
    </author>
    <id>https://elib.bsu.by:443/handle/123456789/50838</id>
    <updated>2016-05-05T13:55:34Z</updated>
    <published>2012-01-01T00:00:00Z</published>
    <summary type="text">Заглавие документа: «Стальной скок» С. С. Прокофьева в контексте музыкально-театрального конструктивизма
Авторы: Фогт, Е. В.; Аладова, Р. Н.
Аннотация: The work presents a forerunner of the constructivist direction and constructivism of the 1920s in all areas of the &#xD;
arts. The aim was to identify the main trends of musical-theatrical constructivism as an example of the ballet "Le pas &#xD;
d’asier" reflected the traditions of Russian and French art in the first third of the twentieth century. Theoretical and &#xD;
methodological basis of this work consists of an integrated approach, including the synthetic nature of musical- the-&#xD;
atrical genre, historical-cultural and comparative methods. The study has been defined the classic status of Prokofiev's &#xD;
ballet "Le pas d’asier" which fits into the range of musical-theatrical ideas of constructivism 20s of the twentieth &#xD;
century and does not lose relevance in modern culture. However, ballet has a special place among constructivist &#xD;
productions, thanks to the special relation of Prokofiev to new phenomena of modernity and individuality of his style.</summary>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Культурна-гістарычны тэкст эпохі сярэдневякоўя ў індывідуальна-кампазітарскіх рашэннях (творчы вопыт беларускіх кампазітараў апошняйтрэці XX – пачатку XXI стагоддзяў)</title>
    <link rel="alternate" href="https://elib.bsu.by:443/handle/123456789/50836" />
    <author>
      <name>Трафімчук, Т. Т.</name>
    </author>
    <author>
      <name>Якіменка, Т. С.</name>
    </author>
    <id>https://elib.bsu.by:443/handle/123456789/50836</id>
    <updated>2018-09-13T12:35:29Z</updated>
    <published>2012-01-01T00:00:00Z</published>
    <summary type="text">Заглавие документа: Культурна-гістарычны тэкст эпохі сярэдневякоўя ў індывідуальна-кампазітарскіх рашэннях (творчы вопыт беларускіх кампазітараў апошняйтрэці XX – пачатку XXI стагоддзяў)
Авторы: Трафімчук, Т. Т.; Якіменка, Т. С.
Аннотация: The article considers the trends of «historicism» in the Belarusian music of the last third of the XX – beginning of the &#xD;
XXI century. Specifically allocated for treatment of Belarusian composers to the images of the Middle Ages. Particular em-&#xD;
bodiment of the cultural and historical text of the Middle Ages considered the example of individual works of Belarusian &#xD;
composers.</summary>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Агульнае і адметнае ў абрадавых “хаджэннях” і “ваджэннях” беларусаў</title>
    <link rel="alternate" href="https://elib.bsu.by:443/handle/123456789/50834" />
    <author>
      <name>Тарасевіч, Г. А.</name>
    </author>
    <author>
      <name>Лозка, А. Ю.</name>
    </author>
    <id>https://elib.bsu.by:443/handle/123456789/50834</id>
    <updated>2018-02-06T07:29:04Z</updated>
    <published>2012-01-01T00:00:00Z</published>
    <summary type="text">Заглавие документа: Агульнае і адметнае ў абрадавых “хаджэннях” і “ваджэннях” беларусаў
Авторы: Тарасевіч, Г. А.; Лозка, А. Ю.
Аннотация: Object of research are Belarusian ceremony connected with circulations and vozhdeniye. The purpose - studying of &#xD;
the Belarusian ceremonies connected with circulations and vozhdeniye, creation of the program of an author's course on &#xD;
calendar ceremonialism of Belarusians.</summary>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Музыкальное радиовещание Беларуси 1990-2000-х годов : жанрово-тематические особенности (на материале программ первого национального канала и канала "Культура" белорусского радио.)</title>
    <link rel="alternate" href="https://elib.bsu.by:443/handle/123456789/50832" />
    <author>
      <name />
    </author>
    <id>https://elib.bsu.by:443/handle/123456789/50832</id>
    <updated>2018-02-06T07:27:09Z</updated>
    <published>2012-01-01T00:00:00Z</published>
    <summary type="text">Заглавие документа: Музыкальное радиовещание Беларуси 1990-2000-х годов : жанрово-тематические особенности (на материале программ первого национального канала и канала "Культура" белорусского радио.)
Аннотация: This article is devoted to the musical broadcasting of Belatus and specific radio genres. The paper raises the issue &#xD;
of new interpretation of musical pieces in the ethereal space and summarizes the key features and ways of presenting &#xD;
classical music on the radio.</summary>
    <dc:date>2012-01-01T00:00:00Z</dc:date>
  </entry>
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